Earthquake Bird. Eeerie

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Earthquake Bird is a movie directed and written by Wash Westmoreland. It has been released at the London Film Festival on the 10th of October this year. It tells the same story as the book Earthquake Bird, written by Susanna Jones.  In spite of its negative reviews and average rating, I found this movie inspiring and unsettling in an artistic manner. Right from the start, a heavy atmosphere, a sense of peculiar and tension floats in the air. The streets of a 1980s Tokyo, the faded colors with a tint of sepia transported me directly into the movie. Alicia Vikander’s character, Lucy Fly, is surrounded by an air of tragedy and guilt that accumulates slowly and stimulates curiosity. Her acting is excellent and throughout the movie she divulges fragments of information and secrets that build up this dramatic aura around her. In one of the scenes, where Lucy is with Teiji, a Japanese photographer that is equally as mysterious as her, she exclaims: ‘Death follows me!’. This proves to be a strong statement that defined her past, but also a prediction about the path of her relationship with Teiji.

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Lucy Fly is a complex character that has definitely not been explored enough. She is an introvert person that carries an overwhelming feeling of guilt. She escaped Sweden to forget, to start anew, but she never managed to do so. Japan was supposed to be her second chance, but bad luck followed on her footsteps to the new, faraway land. Lily, the new girl in town, vibrant, naive in a way, but also a bit mischievous, is the opposite of Lucy. She seems to be quite superficial at the beginning, and Lucy considers her a burden. However, she somehow manages to get under Lucy’s skin. She starts to reveal details about herself, but everything is cut short by a speeded up twist and her being suddenly murdered. Her character is and could have been more complex, but the director chose to keep her as a standard antagonist, a woman who simply betrays her friend in search for intense, momentary passion. During her friendship with Lily, Lucy has an amalgam of mixed emotions towards her. She starts to like her as a friend, she is intrigued by her energy, by her contrasting persona and is at the same time, subconsciously fantasizing about closer, physical touches. All these contradictory emotions are mixed in the end with unbearable envy and Lucy’s desire to kill Lily. The intolerable urge to have Lily removed from her and Teiji’s lives stems from the fact that Lucy considers Teiji to be the only person that saw her for who she really was and Lily is a threat to her connection with the photographer.

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Teiji, the photographer that documents the scenes and objects in the city and nature, maintains that he does not photograph people. He starts taking photos of Lucy and brings her back to his small studio apartment in an old, rusty, rundown building. His creativity, his silent nature, his good looks, his special enjoyment in photographing Lucy charm her. Teiji requires from the beginning that there be no pretense between them. He is a mysterious character that does not reveal much about his life. He definitely does not like small talk and is extremely private about his collection of photography. Lucy seems to be a photographic object for him, not a real person with feelings and desires. He is more stimulated by her images in the dark room, rather than by the real Lucy. He keeps all his photography in a locked drawer, which suggests that he is hiding either some dark secret or puzzle pieces from a traumatic past that he would rather dump in a locked drawer, but also in an imaginary, sealed safebox inside his mind. Teiji is a criminal and his photographs document the transformation of the victims, the paths of the murdered women and their final grimace and body posture after they have been murdered. Teiji murders Lily and only his sudden shift in passion possibly saves Lucy’s life. The movie cuts short any explanations or details of Teiji’s murderous instincts and motives.

 

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The love triangle between Lucy, Lily and Teiji is part of  a plot that blends in several spicy themes: love, shifting passion, twists of life, betrayal, guilt, death, murder, art, bad luck and peculiar circumstances. In spite of the fact that the second half of the film is rushed, and that the characters could have been developed more, the beauty of the scenes, the photographic facial expressions, the passive, faded warm colors, the eerie mystery, the build up of tension sprinkled with random, shocking exposes, the black and white photography collections, the old film camera, the rhythm and sound of the camera clicks, Lucy’s dark, timid and shaky personality, her longing for company, for love, her submissiveness to a tall, dark, mysterious and cold stranger and Lily’s unconstrained nature make up an exquisite, dreamy movie.

 

A futuristic, robotic world

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The advance of technology and the development of robots is a fact in nowadays world. Now, the question is: How far will these advances go and how far will humans go to revolutionize the workplace and productivity in order to save money? Will robots come to replace humans in their jobs?

Will they go as far as creating robots that will be capable of doing everything a human being can? Will we live in a world where robots and humans cohabit? Will people go as far as producing robots that are capable of feeling and thinking on their own? Will they go as far as engineering robots that can become our sexual partners? Will they go as far as starting to create hybrids, beings that are half human and half robot? Will we become beings that boost our own physical capacities by using machine parts?

Robots and sci-fi worlds make up the plot of many books and movies. The most recent Tv series I watched offers a lot of variation on the theme of futuristic, robotic worlds.

‘Love, Death and Robots’ is an extremely creative one season series. It is composed of 18 episodes, with each episode lasting between 10 and 15 minutes long. Thus, it is easy to watch and fast to finish, perfect for a whole afternoon or evening binge. I found ‘Love, Death and Robots’ captivating due to its amazing vibrant visual style. Each episode explores a different story, so in this sense the episodes do not rely on each other. They could be described as a series of unconnected, short films that fit into the same overall theme. However, each episode is constructed on the foundation of a future world in which robots, technological advancements and machines are the new normality of reality.

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The visual aspect of this fantastic, sci-fi style animation series is quite exquisite and worth to be observed and internalized by itself . The variety of episodes takes the viewer on a journey through 18 distinct, science fiction settings. Some episodes remind us of animes, others have a feel of realistic movies suddenly turned into dream-like atmospheres, full of vibrant colours. Others take us by surprise by coming on as cartoons for kids. And still, others borrow the overall visual effects of movies about space.

Love, Death and Robots. What are the narratives?

Expect to see a genetically mutated creature with a removable, computer-like brain in a fighting pit;  werewolves employed by the army; robots inhabiting an Earth where humans have gone extinct;  women transformed into robots to act as sexual fetishes; a world invaded by giant spider machines and so much more. Overall, everything is quite fluid and somehow it manufactures a vibe that the world is aactually heading towards one of the visions presented in the series, if not towards a mixture of them all. This miniseries is challenging us to envision planet Earth hundreds or thousand of years from now.